This paper describes the combined use of several analytical methods to characterise the painting technology used in two socialist realism portraits of national heroes from World War II that are now housed in the Historical Museum of Bosnia and Herzegovina. Inspection under UV light has shown that there was no previous retouching or overpainting on either painting. Microchemical tests identified the type of canvas. The radiograms indicated whether pigments with lower or higher atomic masses were used and how well the ground was rubbed among the threads of the canvas. A better penetration of the ground into the canvas and layers of oil dye that were applied to both sides of Painting 1 contributed to its better protection against high humidity. TLC revealed the type of ground on both paintings as a classic chalk-glue ground. The high humidity was responsible for the occurrence of metal soaps on Painting 2, which were confirmed by FTIR. The XRF analysis was used to describe the pigment palette, trace the causes of existing damages, and facilitate retouching. The results of this integrated diagnostic approach were used to optimise the conservation and better understand the features and techniques used in the creation of Bosnian socialistic artwork.

Two copper(II) complexes of 4-chloro- and 4-dimethylaminobenzaldehyde nicotinic acid hydrazones were prepared and characterized by elemental analysis, mass spectrometry, infrared and electron spectroscopy and conductometry. These rare examples of bis(hydrazonato)copper(II) complexes are neutral complex species with copper(II) center coordinated with two monoanionic bidentate O,N-donor hydrazone ligands coordinated in enol-imine form. The interaction of hydrazone ligands and corresponding copper(II) complexes with CT DNA and BSA was investigated. Copper(II) complexes are slightly effective in binding the DNA than pristine hydrazones. The results indicate groove binding or moderate intercalation which are not significantly affected by the nature of substituent at hydrazone ligands. On contrary, affinities of two copper(II) complexes toward BSA significantly differs and depends on the nature of the substituent, however in absence of thermodynamic data difference in nature of binding forces cannot be excluded. The complex bearing electron-withdrawing 4-chloro substituent has larger affinity toward BSA compared to 4-dimethyamino analogue. These findings were theoretically supported by molecular docking study.

: Complexes of general formula [ Ru(bpy) 2 (L) ]CF 3 SO 3 , where bpy = 2,2′ - bipyridine, and L = Schiff bases derived from salicylaldehyde and amino acids (glycine ( 1a), cysteine (1b), methionine (1c ) and phenylalanine ( 1d )) were synthesized. Characterization based on elemental analysis, Ru content, mass, infrared and electronic spectra confirmed RuN 5 O coordination unlike 1b where coordination occurred via azomethine nitrogen and cysteine sulfur. Cyclic voltammograms, except 1b, showed several quasi- reversible redox pairs in the positive potential range, the first located at about 0.5 V, corresponding to similar heteroleptic Ru(II) bipyridyl complexes. Biological activity was tested by interactions with DNA and BSA. DNA binding constants of order 10 3 M − 1 , suggest groove binding due to bpy ligand and hydrogen bonding of the OH and CO groups from the imine moiety. In vitro BSA protein inhibition assay performed by spectrofluorimetry showed Complex : BSA binding in 1 : 1 ratio with K b of 10 4 M − 1 order. Cytotoxicity studies by MTT assay for 72 h of drug action revealed activity of 1a and 1d against breast cancer MCF- 7 cells with IC 50 values 32 ± 8 and 26 ± 1µM, respectively.

Studies of materials used for works of art and cultural monuments throughout the history contribute to the comprehensive understanding of particular cultures, their technological achievements and customs over time. Investigations of the authenticity of objects and the interventions they may have endured over time keep an important role for their successful restoration and preservation. A three-layer sample of the colored wall decoration from Ottoman Ćejvan Ćehaja mosque from Mostar, Bosnia and Herzegovina was investigated by FTIR spectroscopy. The plaster was identified as gypsum-lime binder. Inorganic pigments were found in two layers, reddish-brown mixture of Fe2O3 and MnO2 and green pigment recognized as viridian, Cr2O3 ∙ 2H2O. The upper layer of "golden color" is found to be a physically compact piece of gold foil or leaf whose fixation method meets both the Ottoman and "west" mode of binding. The mode of adhesion by animal glue could be the result of decoration immanent to Islamic culture, but also to reconstruction from the late 19th century during the Austro-Hungarian rule in Bosnia.

Synthesis, characterization and interaction with BSA and apo-transferrin of novel water-soluble ruthenium complexes having differently coordinated alliin (S-allyl-l-cysteine sulfoxide).